{"id":14691,"date":"2023-10-15T17:37:44","date_gmt":"2023-10-15T17:37:44","guid":{"rendered":"https:\/\/saxonforeverdiscography.com\/?p=14691"},"modified":"2026-04-01T18:22:13","modified_gmt":"2026-04-01T18:22:13","slug":"1981-bootlegs","status":"publish","type":"post","link":"https:\/\/saxonforeverdiscography.com\/?p=14691","title":{"rendered":"1981 Bootlegs"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p><strong><span class=\"has-inline-color has-orange-color\">1981<\/span><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><strong>Date<\/strong><\/td><td><strong>Location<\/strong><\/td><td><strong>Recording<\/strong><\/td><td><strong>Time<\/strong><\/td><td><strong>Quality<\/strong><\/td><td><strong>Bootleg<\/strong><\/td><td><strong>Official release<\/strong><\/td><\/tr><tr><td>1981, Jan 23<\/td><td>Bracknell, Sports Centre<\/td><td>AUD<\/td><td>75<\/td><td>gd+\/gd<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Feb 14<\/td><td>Jaap Edenhal, Amsterdam<\/td><td>FM<\/td><td>28<\/td><td>ex<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Feb 16<\/td><td>Hippodrome de Pantin in Paris, France<\/td><td>FM<\/td><td>27<\/td><td>ex<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Feb 19<\/td><td>Hemmerleinhalle, Neunkrichen a Brand (Check)<\/td><td>AUD<\/td><td>33<\/td><td>gd-<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Feb 20<\/td><td>Messehalle, Sindelfingen<\/td><td>AUD<\/td><td>43<\/td><td>gd<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Feb 27<\/td><td>Rhein-Main Halle in Wiesbaden, Hesse, Germany<\/td><td>AUD<\/td><td>45<\/td><td>bd<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Mar 16<\/td><td>Palazzo dello Sport Bologna Italy<\/td><td>AUD<\/td><td>71<\/td><td>gd<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Mar 17<\/td><td>Teatro Tendastrisce, Rome<\/td><td>AUD<\/td><td>66<\/td><td>gd<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Mar 17<\/td><td>Teatro Tendastrisce, Rome<\/td><td>TV<\/td><td>39<\/td><td>ex\/ex-<\/td><td>Video<\/td><td>No<\/td><\/tr><tr><td>1981, Mar 18<\/td><td>Palasport, Florence<\/td><td>AUD<\/td><td>74<\/td><td>gd+\/gd<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Mar 19<\/td><td>Palasport, Torino<\/td><td>AUD<\/td><td>70<\/td><td>gd+\/gd<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Mar 20<\/td><td>Palasport, San Remo<\/td><td>AUD<\/td><td>77<\/td><td>ex-\/gd+<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Mar 28<\/td><td>De Vereeniging, Nijmegen<\/td><td>AUD<\/td><td>79<\/td><td>gd-<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Mar 29<\/td><td>De Roma, Antwerp<\/td><td>AUD<\/td><td>52<\/td><td>ex+<\/td><td>CD<\/td><td>Yes<\/td><\/tr><tr><td>1981, Mar 30<\/td><td>TV Studio 3 Radio Bremen<\/td><td>TV (Unedited)<\/td><td>60<\/td><td>ex<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Mar 30<\/td><td>TV Studio 3 Radio Bremen<\/td><td>TV<\/td><td>30<\/td><td>ex<\/td><td>DVD<\/td><td>Yes<\/td><\/tr><tr><td>1981, Apr 4<\/td><td>Hemmerleinhalle, Neunkirchen <\/td><td>AUD<\/td><td>45<\/td><td>gd-<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Apr 6<\/td><td>Stadthalle, Offenbach<\/td><td>AUD<\/td><td>79<\/td><td>gd-\/bd+<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, May 4<\/td><td>Nakano Sun Plaza Hall, Tokyo<\/td><td>AUD<\/td><td>82<\/td><td>gd<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, May 4<\/td><td>Nakano Sun Plaza Hall, Tokyo<\/td><td>AUD<\/td><td>88<\/td><td>ex<\/td><td>Bootleg CD<\/td><td>No<\/td><\/tr><tr><td>1981, May 5<\/td><td>Expo Hall, Osaka<\/td><td>AUD<\/td><td>85<\/td><td>ex-<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, May 6<\/td><td>Aichi Kinro-Kaikan, Nagoya<\/td><td>AUD<\/td><td>76<\/td><td>gd+\/gd<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, May 7<\/td><td>Shibuya Koukaidou, Tokyo Japan<\/td><td>AUD<\/td><td>83<\/td><td>gd+\/gd<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Jun 22<\/td><td>Velodrome de Anouta, San Sebastian Spain<\/td><td>AUD<\/td><td>49<\/td><td>gd+<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Sep 30<\/td><td>Alabama, Munich<\/td><td>VIDEO<\/td><td>19<\/td><td>ex<\/td><td>VIDEO<\/td><td>No<\/td><\/tr><tr><td>1981, Oct 21<\/td><td>City Hall, Newcastle<\/td><td>AUD<\/td><td>76<\/td><td>gd+\/gd<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Oct 24<\/td><td>Hammersmith, London<\/td><td>SB<\/td><td>75<\/td><td>ex\/ex-<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Oct 25<\/td><td>Hammersmith Odeon, London, <\/td><td>AUD<\/td><td>83<\/td><td>gd+\/gd<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Oct 30<\/td><td>Forest National, Bruxelle<\/td><td>AUD<\/td><td>77<\/td><td>ex-\/gd+<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Oct 31<\/td><td>Jaap Edenhal, Amsterdam<\/td><td>AUD<\/td><td>75<\/td><td>ex-\/gd+<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Nov 5<\/td><td>Ernst Merck Halle,  Hamburg<\/td><td>AUD<\/td><td>78<\/td><td>gd+<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Nov 8<\/td><td>Sporthalle, Koln<\/td><td>AUD<\/td><td>70<\/td><td>gd-<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Nov 9<\/td><td>Stadthalle, Offenbach<\/td><td>AUD<\/td><td>71<\/td><td>gd<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Nov 19<\/td><td>Westfalenhalle 3 in Dortmund, Germany<\/td><td>AUD<\/td><td>75<\/td><td>gd+\/gd<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Dec 1<\/td><td>Pala Lido, Milano<\/td><td>AUD<\/td><td>77<\/td><td>gd+\/gd<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Dec 3<\/td><td>Teatro Palapartenope, Napels<\/td><td>AUD<\/td><td>72<\/td><td>ex-<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Dec 8<\/td><td>Teatro Tenda, Imola<\/td><td>FM<\/td><td>86<\/td><td>gd+<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Dec 9<\/td><td>Palasport in Brescia<\/td><td>AUD<\/td><td>77<\/td><td>gd+<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Dec 10<\/td><td>Palazzo dello Sport, Genoa<\/td><td>AUD<\/td><td>70<\/td><td>gd+ (check)<\/td><td>CD<\/td><td>No<\/td><\/tr><tr><td>1981, Dec 11<\/td><td>Teatro Tenda in Turin<\/td><td>AUD<\/td><td>72<\/td><td>gd+<\/td><td>CD<\/td><td>No<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"has-orange-color has-text-color has-link-color wp-elements-4b659b3c4f0debe6ea183d2f9f480253\">Alabama, Munich, Germany 1981 Sep 30 [Last concert of Pete Gill with Saxon]<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Saxon - Alabama, Munich, Germany 1981 Sep 30 [Last concert of Pete Gill with Saxon]\" width=\"525\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/mKlggsPAhTE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-orange-color has-text-color has-link-color wp-elements-74f3639e4a0d52fcf21923d28d331273\">German TV Recorded March 30 1981<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Saxon - German TV Recorded March 30 1981\" width=\"525\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/DB2vs4tJ_OQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-orange-color has-text-color has-link-color wp-elements-1f535cc4696da51256750bdfdfdb15f6\">Hippodrome de Saint Cloud, Paris, France 16th February 1981 SBD<\/p>\n\n\n\n<p><strong>JUDAS PRIEST\/SAXON &#8211; PARIS 1981: RADIO BROADCAST<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"592\" src=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-82.png\" alt=\"\" class=\"wp-image-15999\" style=\"width:406px;height:auto\" srcset=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-82.png 600w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-82-300x296.png 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<p>61:15)<br>SAXON<br>1. Intro.<br>2. Heavy Metal Thunder<br>3. See the Light Shining<br>4. Strong Arm of the Law<br>5. Wheels of Steel<br>6. Machine Gun<\/p>\n\n\n\n<p>JUDAS PRIEST<br>7. Diamonds &amp; Rust<br>8. Grinder<br>9. Breaking the Law<br>10. Sinner<br>11. Beyond the Realms of Death<br>12. Troubleshooter<br>13. Hot Rockin&#8217;<\/p>\n\n\n\n<p><strong><span class=\"has-inline-color has-orange-color\">Live&#8230;In the Raw &#8211; 29 Mar<\/span><\/strong><\/p>\n\n\n\n<p><span class=\"has-inline-color has-green-color\">Hof Ter Lo, Borgerhout Belgium<\/span><\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img decoding=\"async\" src=\"https:\/\/img.discogs.com\/yflxmfDv89Bxe8KQsaaaBI-oA1w=\/fit-in\/600x598\/filters:strip_icc():format(jpeg):mode_rgb():quality(90)\/discogs-images\/R-12895914-1546273712-7389.jpeg.jpg\" alt=\"Saxon - Live...In The Raw (2000, CD) | Discogs\" style=\"aspect-ratio:1.003831417624521;width:418px;height:auto\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img decoding=\"async\" src=\"https:\/\/i.discogs.com\/jy5wtV4DxNQ3cNpcvXuCW8NZ83ODabVpb0jEnBVmq3k\/rs:fit\/g:sm\/q:90\/h:512\/w:600\/czM6Ly9kaXNjb2dz\/LWRhdGFiYXNlLWlt\/YWdlcy9SLTEyODk1\/OTE0LTE1NDYyNzM3\/MTgtNzQwMi5qcGVn.jpeg\" alt=\"Saxon \u2013 Live...In The Raw (CD) - Discogs\" style=\"aspect-ratio:1.1741071428571428;width:420px;height:auto\"\/><\/figure>\n\n\n\n<p><strong><span class=\"has-inline-color has-orange-color\">Live&#8230;In the Raw LP &#8211; 29 Mar<\/span><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"802\" height=\"417\" src=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-107.png\" alt=\"\" class=\"wp-image-18642\" style=\"width:614px;height:auto\" srcset=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-107.png 802w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-107-300x156.png 300w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-107-768x399.png 768w\" sizes=\"auto, (max-width: 802px) 100vw, 802px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"743\" height=\"1024\" src=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-109-743x1024.png\" alt=\"\" class=\"wp-image-18645\" style=\"width:438px;height:auto\" srcset=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-109-743x1024.png 743w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-109-218x300.png 218w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-109-768x1059.png 768w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-109.png 1080w\" sizes=\"auto, (max-width: 743px) 100vw, 743px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"813\" height=\"423\" src=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-108.png\" alt=\"\" class=\"wp-image-18643\" style=\"width:619px;height:auto\" srcset=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-108.png 813w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-108-300x156.png 300w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-108-768x400.png 768w\" sizes=\"auto, (max-width: 813px) 100vw, 813px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"925\" src=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-110-1024x925.png\" alt=\"\" class=\"wp-image-18646\" style=\"width:617px;height:auto\" srcset=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-110-1024x925.png 1024w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-110-300x271.png 300w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-110-768x694.png 768w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-110.png 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"938\" src=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-111-1024x938.png\" alt=\"\" class=\"wp-image-18647\" style=\"width:618px;height:auto\" srcset=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-111-1024x938.png 1024w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-111-300x275.png 300w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-111-768x703.png 768w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-111.png 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"532\" height=\"1024\" src=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-112-532x1024.png\" alt=\"\" class=\"wp-image-18649\" style=\"width:438px;height:auto\" srcset=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-112-532x1024.png 532w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-112-156x300.png 156w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-112-768x1478.png 768w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-112-798x1536.png 798w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-112.png 1064w\" sizes=\"auto, (max-width: 532px) 100vw, 532px\" \/><\/figure>\n\n\n\n<p><strong><span class=\"has-inline-color has-orange-color\">1981 Live in Nakano Sun-Plaza Tokyo Japan (2CD)<\/span><\/strong><\/p>\n\n\n\n<p><span class=\"has-inline-color has-green-color\">Mr. Peach Recording: 4th May 1981, Nakano Sun-Plaza,Tokyo Japan<\/span><\/p>\n\n\n\n<p><strong>Famous Tapers Mr. Peach<\/strong><\/p>\n\n\n\n<p>Source: <\/p>\n\n\n\n<p><blockquote class=\"wp-embedded-content\" data-secret=\"kil04oRbfg\"><a href=\"https:\/\/theamazingkornyfonelabel.wordpress.com\/2014\/01\/06\/famous-tapers-2-mr-peach\/\">Famous Tapers # 2: Mr.&nbsp;Peach<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;Famous Tapers # 2: Mr.&nbsp;Peach&#8221; &#8212; THE AMAZING KORNYFONE LABEL\" src=\"https:\/\/theamazingkornyfonelabel.wordpress.com\/2014\/01\/06\/famous-tapers-2-mr-peach\/embed\/#?secret=jmIhTA4PLe#?secret=kil04oRbfg\" data-secret=\"kil04oRbfg\" width=\"525\" height=\"296\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n\n\n\n<p>What can you say about all these fantastic recordings Mr. Peach worked so hard to capture? I\u2019ll leave it with an all encompassing \u201cHoly cow!\u201d&nbsp;Words fail when taking it all in. Just the cost and logistics of recording all over Japan must have been very high. And then all this for an amazing collection he never seems to have shared for decades.<\/p>\n\n\n\n<p>There were two kinds of tapers. Those that traded their tapes relatively soon after the shows and those that did not until an opportunity presented itself decades later \u201cMr. Peach\u201d.  He was\/is a Tokyo resident, which I already knew based on the concert listing I had collected (49 shows recorded at the Budokan alone, so far). He is also the only taper I have known to smuggle in more than one recording device and come out with two recordings from the same concert. Did he have someone helping him? I wonder how strict security was in those days and what the policy was in regards to bringing in recording equipment. If anyone knows more about him, do leave a comment.<\/p>\n\n\n\n<p>I have compiled a list of all known Mr. Peach recordings as of December 31st, 2013 (supposedly he has around 300 masters?) with quality comments from collectorsmusicreviews.com added. They might get a bit tedious after a while but I believe they add enough information to make it worthwhile. (The often somewhat daft) Name of CD title in brackets; it was not my goal to promote the CD bootleg label that has \u2018contracted\u2019 his master tapes, these were just added for reference purposes. Their release policy mirrors that of the early and mid-1970s Japan bootleg vinyl releases, which were usually limited to around 200 copies.<\/p>\n\n\n\n<p>Overall, his recordings tend to be very loud and \u201cin your face\u201d. He still seems to have been at the mercy at whatever seat he could get once tickets went on sale, so I doubt he was connected to Udo Presents or another concert promoter but many of his recordings have littel intrusion from other patrons sitting close by.&nbsp;I also doubt he wrote for Music Life or some other publication and ad a professional reason to go to these concerts.<\/p>\n\n\n\n<p>Mr. Peach hit his stride and a first peak in 1976 with the excellent documentation series of the Neil Young and Rainbow tours and just kept going, still dependent on the position of his seat in the arenas, of course,&nbsp; until changes in how drums were miked and amplified via the PA introduced some extra distortion here and there but his recordings usually always come out on top.<\/p>\n\n\n\n<p><strong>From 1976 onwards, Mr. Peach used this Sony portable recorder:<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/theamazingkornyfonelabel.files.wordpress.com\/2014\/01\/sony-tc-3000sd.jpg?w=545&amp;h=222\" alt=\"Sony tc-3000sd\"\/><\/figure>\n\n\n\n<p><strong>and upgraded in the Spring of \u201977 to the latest Technics model, the 686d:<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/theamazingkornyfonelabel.files.wordpress.com\/2014\/01\/technics-686.jpg?w=545&amp;h=249\" alt=\"technics-686\"\/><\/figure>\n\n\n\n<p><strong>SAXON&nbsp; Nakano Sun-Plaza, Tokyo \u2013 May 4th, 1981&nbsp;&nbsp; (<em>TOKYO 6:30PM<\/em>)  \u201c\u2026the recording is very clear, powerful and loud.&nbsp; At times it\u2019s too loud that it distorts, but it is generally very enjoyable\u2026\u201d<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"730\" height=\"755\" src=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2020\/07\/afbeelding-791.png\" alt=\"\" class=\"wp-image-4648\" style=\"aspect-ratio:0.966542750929368;width:410px;height:auto\" srcset=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2020\/07\/afbeelding-791.png 730w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2020\/07\/afbeelding-791-290x300.png 290w\" sizes=\"auto, (max-width: 730px) 100vw, 730px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"474\" height=\"465\" src=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2021\/12\/afbeelding-78.png\" alt=\"\" class=\"wp-image-13061\" style=\"aspect-ratio:1.01953125;width:409px;height:auto\" srcset=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2021\/12\/afbeelding-78.png 474w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2021\/12\/afbeelding-78-300x294.png 300w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\" \/><\/figure>\n\n\n\n<p><strong><span class=\"has-inline-color has-orange-color\">1981 Live At The Beatclub (LP)<\/span><\/strong> &#8211; May 15<\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"192\" height=\"189\" src=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2020\/07\/afbeelding-152.png\" alt=\"\" class=\"wp-image-3386\" style=\"aspect-ratio:1.0156862745098039;width:413px;height:auto\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img decoding=\"async\" src=\"https:\/\/i.discogs.com\/tMdLADGI-qfjBEd0A1aR_go8RU1c88810zibPrjb1-I\/rs:fit\/g:sm\/q:90\/h:587\/w:600\/czM6Ly9kaXNjb2dz\/LWRhdGFiYXNlLWlt\/YWdlcy9SLTEzNTQ1\/OTM3LTE1NTYyNjg0\/NTUtNzUwMy5qcGVn.jpeg\" alt=\"Secondary, 2 of 2\" style=\"aspect-ratio:1.01953125;width:418px;height:auto\"\/><\/figure>\n\n\n\n<p><strong><span class=\"has-inline-color has-orange-color\">1981 Live At The Beatclub (CD)<\/span><\/strong> &#8211; May 15<\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img decoding=\"async\" src=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2020\/07\/afbeelding-152.png\" alt=\"This image has an empty alt attribute; its file name is afbeelding-152.png\" style=\"aspect-ratio:1.015748031496063;width:419px;height:auto\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img decoding=\"async\" src=\"https:\/\/i.discogs.com\/OK45mfb_gaXtMVWjV9zNr8zj--RKuMewlObFw2-2unI\/rs:fit\/g:sm\/q:90\/h:351\/w:413\/czM6Ly9kaXNjb2dz\/LWRhdGFiYXNlLWlt\/YWdlcy9SLTEzNzAw\/MDcxLTE1NTkyOTg5\/MjgtMzA0Mi5qcGVn.jpeg\" alt=\"Secondary, 2 of 2\" style=\"aspect-ratio:1.1764705882352942;width:419px;height:auto\"\/><\/figure>\n\n\n\n<p><strong><span class=\"has-inline-color has-orange-color\">1981 Live At The Beatclub (CD)<\/span><\/strong> &#8211; May 15<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"556\" src=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-118.png\" alt=\"\" class=\"wp-image-18673\" style=\"width:427px;height:auto\" srcset=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-118.png 640w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-118-300x261.png 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"891\" src=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-119-1024x891.png\" alt=\"\" class=\"wp-image-18674\" style=\"width:427px;height:auto\" srcset=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-119-1024x891.png 1024w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-119-300x261.png 300w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-119-768x668.png 768w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-119-1536x1336.png 1536w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2023\/10\/image-119.png 1635w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong><span class=\"has-inline-color has-orange-color\">1981 Militia Guard (disc 2 has the Oct 24 1981 concert)<\/span><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"594\" height=\"434\" src=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2020\/07\/afbeelding-746.png\" alt=\"\" class=\"wp-image-4540\" style=\"width:490px;height:358px\" srcset=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2020\/07\/afbeelding-746.png 594w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2020\/07\/afbeelding-746-300x219.png 300w\" sizes=\"auto, (max-width: 594px) 100vw, 594px\" \/><\/figure>\n\n\n\n<p><strong><span class=\"has-inline-color has-orange-color\">1981 Denim And Leather Live In Napels (CD)<\/span><\/strong> &#8211; December 8<\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"189\" height=\"189\" src=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2020\/07\/afbeelding-154.png\" alt=\"\" class=\"wp-image-3388\" style=\"width:411px;height:auto\" srcset=\"https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2020\/07\/afbeelding-154.png 189w, https:\/\/saxonforeverdiscography.com\/wp-content\/uploads\/2020\/07\/afbeelding-154-150x150.png 150w\" sizes=\"auto, (max-width: 189px) 100vw, 189px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img decoding=\"async\" src=\"http:\/\/1.bp.blogspot.com\/_IBigK-nP7zw\/TBTTJhB0jcI\/AAAAAAAAL_Y\/Ae_c6gzh3vk\/s1600\/Saxon-Naples81-+Back.jpg\" alt=\"\" style=\"aspect-ratio:1.3402061855670102;width:413px;height:auto\"\/><\/figure>\n\n\n\n<p><strong><span class=\"has-inline-color has-orange-color\">1981 Denim And Leather Live In Napels (LP)<\/span><\/strong> &#8211; December 8<\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img decoding=\"async\" src=\"https:\/\/i.discogs.com\/bTBB-VQZkL_Yj4txp7duv23JDngF4nzHfEddgvMaKfA\/rs:fit\/g:sm\/q:90\/h:600\/w:591\/czM6Ly9kaXNjb2dz\/LWRhdGFiYXNlLWlt\/YWdlcy9SLTE1MTM2\/NTUyLTE1ODcxNTE0\/MDUtMjYxNC5qcGVn.jpeg\" alt=\"Primary\" style=\"aspect-ratio:0.9848484848484849;width:414px;height:auto\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img decoding=\"async\" src=\"https:\/\/i.discogs.com\/GtM0BFA-j_LpW-nnaQ-fd0hE1gLW0eGUaSD-IhnXLWI\/rs:fit\/g:sm\/q:90\/h:587\/w:600\/czM6Ly9kaXNjb2dz\/LWRhdGFiYXNlLWlt\/YWdlcy9SLTE1MTM2\/NTUyLTE1ODcxNTE0\/MDUtODE3MC5qcGVn.jpeg\" alt=\"Secondary, 2 of 3\" style=\"aspect-ratio:1.01953125;width:416px;height:auto\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img decoding=\"async\" src=\"https:\/\/i.discogs.com\/QCM41Ufrn0PHaPu0D6t_7b77gv3JsylFlITpIFT5sUU\/rs:fit\/g:sm\/q:90\/h:600\/w:571\/czM6Ly9kaXNjb2dz\/LWRhdGFiYXNlLWlt\/YWdlcy9SLTE1MTM2\/NTUyLTE1ODcxNTE0\/MDQtNzIyMS5qcGVn.jpeg\" alt=\"Secondary, 3 of 3\" style=\"aspect-ratio:0.9520295202952029;width:415px;height:auto\"\/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>1981 Date Location Recording Time Quality Bootleg Official release 1981, Jan 23 Bracknell, Sports Centre AUD 75 gd+\/gd CD No 1981, Feb 14 Jaap Edenhal,&hellip;<\/p>\n","protected":false},"author":1,"featured_media":14692,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-14691","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/saxonforeverdiscography.com\/index.php?rest_route=\/wp\/v2\/posts\/14691","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/saxonforeverdiscography.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/saxonforeverdiscography.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/saxonforeverdiscography.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/saxonforeverdiscography.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14691"}],"version-history":[{"count":28,"href":"https:\/\/saxonforeverdiscography.com\/index.php?rest_route=\/wp\/v2\/posts\/14691\/revisions"}],"predecessor-version":[{"id":18789,"href":"https:\/\/saxonforeverdiscography.com\/index.php?rest_route=\/wp\/v2\/posts\/14691\/revisions\/18789"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/saxonforeverdiscography.com\/index.php?rest_route=\/wp\/v2\/media\/14692"}],"wp:attachment":[{"href":"https:\/\/saxonforeverdiscography.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14691"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/saxonforeverdiscography.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14691"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/saxonforeverdiscography.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14691"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}