1981
| Date | Location | Recording | Time | Quality | Bootleg | Official release |
| 1981, Jan 23 | Bracknell, Sports Centre | AUD | 75 | gd+/gd | CD | No |
| 1981, Feb 14 | Jaap Edenhal, Amsterdam | FM | 28 | ex | CD | No |
| 1981, Feb 16 | Hippodrome de Pantin in Paris, France | FM | 27 | ex | CD | No |
| 1981, Feb 19 | Hemmerleinhalle, Neunkrichen a Brand (Check) | AUD | 33 | gd- | CD | No |
| 1981, Feb 20 | Messehalle, Sindelfingen | AUD | 43 | gd | CD | No |
| 1981, Feb 27 | Rhein-Main Halle in Wiesbaden, Hesse, Germany | AUD | 45 | bd | CD | No |
| 1981, Mar 16 | Palazzo dello Sport Bologna Italy | AUD | 71 | gd | CD | No |
| 1981, Mar 17 | Teatro Tendastrisce, Rome | AUD | 66 | gd | CD | No |
| 1981, Mar 17 | Teatro Tendastrisce, Rome | TV | 39 | ex/ex- | Video | No |
| 1981, Mar 18 | Palasport, Florence | AUD | 74 | gd+/gd | CD | No |
| 1981, Mar 19 | Palasport, Torino | AUD | 70 | gd+/gd | CD | No |
| 1981, Mar 20 | Palasport, San Remo | AUD | 77 | ex-/gd+ | CD | No |
| 1981, Mar 28 | De Vereeniging, Nijmegen | AUD | 79 | gd- | CD | No |
| 1981, Mar 29 | De Roma, Antwerp | AUD | 52 | ex+ | CD | Yes |
| 1981, Mar 30 | TV Studio 3 Radio Bremen | TV (Unedited) | 60 | ex | CD | No |
| 1981, Mar 30 | TV Studio 3 Radio Bremen | TV | 30 | ex | DVD | Yes |
| 1981, Apr 4 | Hemmerleinhalle, Neunkirchen | AUD | 45 | gd- | CD | No |
| 1981, Apr 6 | Stadthalle, Offenbach | AUD | 79 | gd-/bd+ | CD | No |
| 1981, May 4 | Nakano Sun Plaza Hall, Tokyo | AUD | 82 | gd | CD | No |
| 1981, May 4 | Nakano Sun Plaza Hall, Tokyo | AUD | 88 | ex | Bootleg CD | No |
| 1981, May 5 | Expo Hall, Osaka | AUD | 85 | ex- | CD | No |
| 1981, May 6 | Aichi Kinro-Kaikan, Nagoya | AUD | 76 | gd+/gd | CD | No |
| 1981, May 7 | Shibuya Koukaidou, Tokyo Japan | AUD | 83 | gd+/gd | CD | No |
| 1981, Jun 22 | Velodrome de Anouta, San Sebastian Spain | AUD | 49 | gd+ | CD | No |
| 1981, Sep 30 | Alabama, Munich | VIDEO | 19 | ex | VIDEO | No |
| 1981, Oct 21 | City Hall, Newcastle | AUD | 76 | gd+/gd | CD | No |
| 1981, Oct 24 | Hammersmith, London | SB | 75 | ex/ex- | CD | No |
| 1981, Oct 25 | Hammersmith Odeon, London, | AUD | 83 | gd+/gd | CD | No |
| 1981, Oct 30 | Forest National, Bruxelle | AUD | 77 | ex-/gd+ | CD | No |
| 1981, Oct 31 | Jaap Edenhal, Amsterdam | AUD | 75 | ex-/gd+ | CD | No |
| 1981, Nov 5 | Ernst Merck Halle, Hamburg | AUD | 78 | gd+ | CD | No |
| 1981, Nov 8 | Sporthalle, Koln | AUD | 70 | gd- | CD | No |
| 1981, Nov 9 | Stadthalle, Offenbach | AUD | 71 | gd | CD | No |
| 1981, Nov 19 | Westfalenhalle 3 in Dortmund, Germany | AUD | 75 | gd+/gd | CD | No |
| 1981, Dec 1 | Pala Lido, Milano | AUD | 77 | gd+/gd | CD | No |
| 1981, Dec 3 | Teatro Palapartenope, Napels | AUD | 72 | ex- | CD | No |
| 1981, Dec 8 | Teatro Tenda, Imola | FM | 86 | gd+ | CD | No |
| 1981, Dec 9 | Palasport in Brescia | AUD | 77 | gd+ | CD | No |
| 1981, Dec 10 | Palazzo dello Sport, Genoa | AUD | 70 | gd+ (check) | CD | No |
| 1981, Dec 11 | Teatro Tenda in Turin | AUD | 72 | gd+ | CD | No |
Alabama, Munich, Germany 1981 Sep 30 [Last concert of Pete Gill with Saxon]
German TV Recorded March 30 1981
Hippodrome de Saint Cloud, Paris, France 16th February 1981 SBD
JUDAS PRIEST/SAXON – PARIS 1981: RADIO BROADCAST

61:15)
SAXON
1. Intro.
2. Heavy Metal Thunder
3. See the Light Shining
4. Strong Arm of the Law
5. Wheels of Steel
6. Machine Gun
JUDAS PRIEST
7. Diamonds & Rust
8. Grinder
9. Breaking the Law
10. Sinner
11. Beyond the Realms of Death
12. Troubleshooter
13. Hot Rockin’
Live…In the Raw – 29 Mar
Hof Ter Lo, Borgerhout Belgium
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Live…In the Raw LP – 29 Mar






1981 Live in Nakano Sun-Plaza Tokyo Japan (2CD)
Mr. Peach Recording: 4th May 1981, Nakano Sun-Plaza,Tokyo Japan
Famous Tapers Mr. Peach
Source:
Famous Tapers # 2: Mr. Peach
What can you say about all these fantastic recordings Mr. Peach worked so hard to capture? I’ll leave it with an all encompassing “Holy cow!” Words fail when taking it all in. Just the cost and logistics of recording all over Japan must have been very high. And then all this for an amazing collection he never seems to have shared for decades.
There were two kinds of tapers. Those that traded their tapes relatively soon after the shows and those that did not until an opportunity presented itself decades later “Mr. Peach”. He was/is a Tokyo resident, which I already knew based on the concert listing I had collected (49 shows recorded at the Budokan alone, so far). He is also the only taper I have known to smuggle in more than one recording device and come out with two recordings from the same concert. Did he have someone helping him? I wonder how strict security was in those days and what the policy was in regards to bringing in recording equipment. If anyone knows more about him, do leave a comment.
I have compiled a list of all known Mr. Peach recordings as of December 31st, 2013 (supposedly he has around 300 masters?) with quality comments from collectorsmusicreviews.com added. They might get a bit tedious after a while but I believe they add enough information to make it worthwhile. (The often somewhat daft) Name of CD title in brackets; it was not my goal to promote the CD bootleg label that has ‘contracted’ his master tapes, these were just added for reference purposes. Their release policy mirrors that of the early and mid-1970s Japan bootleg vinyl releases, which were usually limited to around 200 copies.
Overall, his recordings tend to be very loud and “in your face”. He still seems to have been at the mercy at whatever seat he could get once tickets went on sale, so I doubt he was connected to Udo Presents or another concert promoter but many of his recordings have littel intrusion from other patrons sitting close by. I also doubt he wrote for Music Life or some other publication and ad a professional reason to go to these concerts.
Mr. Peach hit his stride and a first peak in 1976 with the excellent documentation series of the Neil Young and Rainbow tours and just kept going, still dependent on the position of his seat in the arenas, of course, until changes in how drums were miked and amplified via the PA introduced some extra distortion here and there but his recordings usually always come out on top.
From 1976 onwards, Mr. Peach used this Sony portable recorder:

and upgraded in the Spring of ’77 to the latest Technics model, the 686d:

SAXON Nakano Sun-Plaza, Tokyo – May 4th, 1981 (TOKYO 6:30PM) “…the recording is very clear, powerful and loud. At times it’s too loud that it distorts, but it is generally very enjoyable…”


1981 Live At The Beatclub (LP) – May 15


1981 Live At The Beatclub (CD) – May 15


1981 Live At The Beatclub (CD) – May 15


1981 Militia Guard (disc 2 has the Oct 24 1981 concert)

1981 Denim And Leather Live In Napels (CD) – December 8


1981 Denim And Leather Live In Napels (LP) – December 8



